Excited to subscribe to the Signature Theater’s 2017-8 Season. That means two plays by Suzan-Lori Parks (In the Blood and Fucking A) and three by Stephen Adly Guirgis (Jesus Hopped the A Train, Our Lady of 121St Street, and a new work). Woot.
Much has already been written about Denzel Washington’s film adaptation of Fences, which has recently been released on blu-ray and streaming services. Washington took a little heat for his direction, but basically I think he did a fine job in his freshman effort behind the camera. He demonstrated a solid understanding of what a director does: strong craft, not much artistry, and little fuss. He got out of the way so that the play could be seen and heard.
Viola Davis rightly earned numerous plaudits in the role of Rose Maxson. She deserved an Oscar, but for Best Actress not Best Supporting Actress (a discussion for another time). Washington was necessarily volcanic as Troy, though I still cannot get the indelible impression James Earl Jones made in the Broadway premiere. Unsung in much of the criticism is Stephen McKinley Henderson. An excellent stage actor (he recently starred in Stephen Adly Guirgis’s Between Riverside and Crazy), he added much to the role of Bono. Fences offers a number of three-hander scenes between Troy, Rose, and Bono, and Henderson more than held up his own end. He deserves great praise as well.
This sounds incredible. Playwright Stephen Adly Guirgis will be starring in a revival of David Mamet’s American Buffalo at the Dorset Theater Festival this summer. Treat Williams also stars